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     Richard F. Burkhart, CPA and Salvatore J. Pizzanelli, CPA, JD, PFS
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  ‘Greetings from Earth’ is one the many works of art etched into cornfields at Warner Farm over the past two decades.
 Photo courtesy of Mikes Maze
 They all collide at the maze, which started its annual run on Sept. 8, but has been in the planning stages for several months now, said Wisseman, who acknowledged that farms are not big on titles, but if he had one, it would be ‘business manager.’
In that role, he noted that the maze has become more than a rev- enue stream, although it is certainly that. It has become a huge part of the business plan at the 150-acre farm, which grows a variety
of fruits and vegetables and operates CSA (community-supported agriculture) programs in Sunderland with five pick-up areas in the Greater Boston area — so much so that many other traditional fall initiatives, and the feed-corn crop itself, now take a back seat to the maze.
“For us, the corn maze is such a huge part of our business that
it made sense to slow down the other things in the fall and focus
on making sure the maze is the best it can be,” he said, noting that the attraction draws more than 20,000 visitors each year, most from Hampden and Hampshire counties, but neighboring states as well. Many leaf peepers have made it part of their annual visit.
“‘Can computers think?’ That’s one of the questions we ask.”
As for the images chosen each year, they are part of the evolving story of the maze, said Wisseman, noting that his father, Mike Wis- seman, and local artist Will Sillin originally decided to combine tal- ents and create what they called ‘corn art.’ The inaugural image was of the ‘Amazing Minuteman,’ as seen on the 2000 Massachusetts quarter, with subsequent designs featuring the Mona Lisa, Babe Ruth, King Tut, George Bush and John Kerry (who squared off in the presidential election of 2004), Charles Darwin, Andy Warhol’s Campbell’s soup can, and Julia Child — images seen by the world through photos taken by passing airplanes.
In 2015, Sillin essentially retired from corn art to focus on
his personal artwork, and the creative development torch at what became known as Mike’s Maze was picked up by Dave Wisseman and his wife, Jess Marsh Wisseman, also an artist.
Her creations have included ‘Alice in Sunderland,’ a tribute to Alice in Wonderland; ‘Greetings from Earth,’ a celebration of the Voyager missions to explore the outer reaches of our solar system; and ‘Cornstock,’ a celebration of Woodstock a half-century after the generation-defining music event — images captured by drone and then sent to the world.
Getting back to this year’s theme of artificial intelligence, it exem- plifies the farm’s efforts to be topical and relevant, but also go well beyond creating art in the rows of now-10-foot-high corn stalks. The larger mission is to get people to think, while also being entertained, Dave said.
Etched around the outside of the maze is the question ‘In the Age of Artificial Intelligence, What Makes Us Human?’ In the middle is the word ‘Thinking.’ The letters take on a high-tech look.
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